It looks like you're using Internet Explorer 11 or older. This website works best with modern browsers such as the latest versions of Chrome, Firefox, Safari, and Edge. If you continue with this browser, you may see unexpected results.
Thousand (detail), installed at Art Basel in Hong Kong, 2014.
Combining discarded shards of porcelain with gold leaf, Korean artist Yeesookyung creates new shapes, often softly curved and anthropomorphic, occasionally jagged and alien. This ceramic practice, which started with the “Translated Vases” series in 2006, has proved therapeutic for the artist, and the resulting works are profoundly, undeniably beautiful.